Review
Aabhishkar Thatal, our artist for today, offers a fresh sound to the industry with his unique mix of pop and folk elements. Based in...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
‘Meen’ is the debut studio album of the Delhi based rapper Yungsta, and the powerhouse of a producer, Sez On The Beat, under his...
Review
Five years after they released their beloved debut album “Ah Puch”, Dirge returned in March with their much awaited second album; a self-titled effort...
Review
2023 has already been a great year for some refreshing and unique releases. Artists across the country have been experimenting with genres without compromising...
Interview
One of the bigger mysteries of being a musician in 2023 is streaming. There are few things that will get you the kind of...
Review
Hailing from Shillong, Meghalaya, Yong Meow is a music producer who’s love for music developed at a very young age thanks to Bollywood music,...
Review
As a musician, the joy of jamming is unparalleled. The initial excitement of new ideas colliding with each other, the sustained trust in each...
Review
Dreamhour’s music is what I would call “LSD-infused spacey beats”. The Siliguri-based musician (whose real name is Debo Sanyal by the way, and you...
Interview
From inspiring some of the most legendary techno music to actually beaming it to space, during Sonar Festival in Spain, in search of an...
Review
Thrash metal’s rich canon of gut-wrenching, head-crushing, and soul-stirring tunes received a new addition this month; the four song banger of a debut EP,...