Review
Pho is one of the most compelling young voices in today’s Indian music landscape — an artist who treats genre as a playground rather...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
sxnchay & Moonjock Mixes Pop Rap & Acoustic Soul In Their Mixtape ‘Twentysomethings’
Dolorblind Challenges Indian Melodic Tastes by Integrating Gritty Textures into Electronic Pop through EP ‘No Signals’
Pina Colada Blues & Jai Matt Bring Early-2000s Pop to Malayalam with their Mixtape ‘J2K, Vol. 1’
Grave Defines the Modern Rave Through Minimalist and Menacing Sonic Textured EP ‘Cerebral Malfunction’
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Release Spotlight #105 – Acoustic Folk, Indie Pop, Experimental Music & More!
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Review
There are plenty of songs about being young and reckless, and there are plenty of songs about growing up and looking back. sxnchay’s Twentysomethings...
Review
Electronic Music’s general appearance in the Indian Music landscape has always been a little one dimensional, forcing artists to conform to familiar structures and...
Review
If you’ve been paying attention to pop music in 2026, you’ve probably noticed how much of it sounds like 2002. Y2K nostalgia has moved...
Review
GRAVE a.k.a. Vipul Verma, who also happens to be the vocalist for Kraken has finally shared his new project under the aforementioned moniker. Though...
Review
After being named as best debut artist by multiple outlets, Karan Verma’s debut album, Parichay, is finally out. The record is around 30 minutes...
Review
I listen to OX7GEN’s EP Body Mechanics in Goa, which is perhaps one of the most ideal places to do so, while assembling chairs...
Review
Mumbai is bygone paraphernalia brought out of the attic to resuscitate the timeless in the new EX GENERATION album, The Mumbai Exchange. Spanning nine...
Interview
The last male mating call of the extinct bird Kauaʻi ʻōʻō was recorded in 1987. The album begins here… You can hear the pauses...
Review
Rap in India isn’t a new phenomenon anymore. Every artists release in this genre is adding to the Indian-ness of Rap, shedding light on...
Review
Alok Ranjan Srivastava (Hashtag Jazbaat) is a singer-songwriter and lyricist carving out a unique space in both the independent scene and the commercial landscape....
Review
Bands are making a comeback and with it we’re once again getting to see musical identities that are bigger than any one person. In...
Review
Dirty Class is a psychedelic rock outfit famous for their immersive live performances, soul-stirring energy and an approach to musicality that is straight out...
Review
Hip Hop since its inception has flourished only because of community. The culture has thrived so far only because of the sheer breadth of...