Review
It is always fun to encounter the chapter of an artist’s career where they decide to take that transformative leap that pushes them into...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Arvasu’s ‘The Traffic Horn Orchestra’: Finding Harmony in the Urban Cacophony
‘Bheegein’ by Joshua Singh: A Tender, Disco-Tinted Reverie
Kayan Asks “Is Love Enough?” in a Heartfelt and Electrifying New EP
‘Caged Authority’ by ROFO – Five Track Rock Opera for The Unruly
Ananda Sen’s “Pages From The Past” Becomes Miti Adhikari’s Swan Song
- Industry Insight
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
- Featured
Yuva Sur Sartaj 2025: The Search for India’s Next Hindustani Vocal Star
Release Roundup #99 – Indie Pop, R&B, Alternative & More!
Turn Up the Streets: 3 Days of World Music Day Celebration with Buskr Chowk
Producer-Led Albums: Why It’s Time We Let Them Take Center Stage
Kashmir is a haunt that never pauses: The legacy of Gaekhir Republik’s ‘Madnyan Shaam’
Review
In the vast, ever expanding silt plain of Indian independent music, where vegetation is overrun by singular-word titles to albums that sound like banality...
Review
Meet Joshua Singh, a Mumbai-based polymath whose music is a playground of analog textures, acoustic warmth, field recordings, and instinctive artistry. From co-producing Spud...
Review
I remember being about seven years old and a woman in front of me was curled up in bed and crying about a fight...
Review
EP Review: Rascals of the First Order – Caged Authority Bangalore-based rock band Rascals of the First Order make a bold entrance into India’s...
Review
“You must have heard of Peter Cat Recording Company. The sort of music Sawhney makes under PCRC and the sort he makes under Lifafa...
Review
I found Tarun Balani accidentally in a pile of LPs at Pagal Records, HKV. The Shape of Things to Come lay awaiting its beholder...
Review
I listen to Ayush Sayalkar’s “till i see you” in the rain. In the midst of being plagued by the making of a documentary...
Review
Deeply rooted in the Tamil language, Nishad G is steadily carving out a space in the independent music scene. His sonic identity fuses orchestral...
Review
If I ask you what accompanies you during your travels, the instant reply that I will get from most will be that it’s good...
Review
Hamza Rahimtula is back — this time, in collaboration with Rajasthan Folkstars, with an album spanning 10 tracks [excluding the extended versions, which if...
Review
Rono, previously known as Awkward Bong, is steadily carving his niche in Mumbai’s indie music landscape. His sleeper hit “Main Aur Tum” subtly caught...
Review
I found Bloodywood through their 2020 documentary Raj Against the Machine, which followed their first big tour through Europe. I wasn’t even deep into...
Review
Picture this: You are in an interview and someone is asking you “What do you love about music?” and borrowing Russell’s dialogue from Almost...