Review
Some records feel as though they have been lifted from another era, and Giddy Hoo’s debut EP, Finally Found, is one of them. The...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Tsumyoki Blends Goan Roots and Afrobeats on new EP ‘AFRO YOKI’
Bharat Chauhan’s New Album ‘UNS’ Balances Old-School Writing With a Modern Sound
Deepak Peace’s ‘Hamlet Zinda Hai’ Restores Unapologetic Dissent to Indian Indie
Broken Grooves, Subtle Glitches: Inside Reverse Osmosis’ Unable Unstable
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
Documentaries Around Indian Music You Should Definitely Watch
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
“You need to put in your 10,000 hours. Do it as if you don’t have anything else to do” – In Conversation With Akash Shravan
Release Spotlight #106 – Bossa Nova, Indie Pop, Electronica & More
All About Music Returns for Its 10th Edition, Thinking About the Next Decade, Not the Last One
Review
2026 has been loud. New sounds, new names, everyone trying something different, everyone racing to define what this year in music actually feels like....
Review
It has been four years since Qurbat, but the gap has done Bharat Chauhan no harm at all; if anything, his second album came...
Review
For the last few years, I have scoured the depths of Indian independent music looking for traces of ideology. It should not be a...
Review
Reverse Osmosis returns with Unable Unstable, a 10-track LP released via Thunderstruck Records that embraces controlled chaos. Rooted in underground electronic music, the album...
Review
BENDI’s Heartspace starts off with the rumbling of clouds, a distorted voice and an unleashing of electropop – as the first track, THUNDERSTORMS IN...
Review
While always being known to have a proclivity for being left of centre, with this EP KAVYA has cemented this fact in permanence. Following...
Review
Saka’s new record is a soft, soft thing, and a pure delight to listen to — joyful and cosy, the kind of music we...
Review
I knew I couldn’t sing over them, so I decided to sing under them. The more noise they made the more softly I sang....
Review
Amenn Wihaan’s debut album has music that is almost translucent – a carefully crafted tapestry as a body of work that is mostly dreamy,...
Review
In an interview with the Deccan Chronicle, Burrah talks about his debut EP, “I felt lost, like I was living a life that wasn’t...
Review
Delhi-based experimental sound artist Pranav Nigam aka Lani.akea is a musician of remarkable depth and versatility. Trained at KM Music Conservatory (Chennai) and the...
Review
For most of my brief career in music journalism, I have written about Delhi and its artists, attempting to map the soundscape of the...
Review
Sonor that is disrobing and writing that is wrapped in a translucent membrane of mystery, on his third album, Rounak Maiti has let the...