Interview
Rushil Aswal, a dynamic 25-year-old singer songwriter and producer from New Delhi is an artist whose music transcends conventional boundaries. Since 2022 when he...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Opinion
Every festival season in India begins the same way. Lineups drop. Group chats explode. Tickets sell out. And somewhere in the middle of all...
Callback
My mother and I have a very few things in common, especially when it comes to how we have spent our days in the...
Interview
Few acts in India’s rock landscape have pushed boundaries like Antariksh. Blending odd-timed riffs with Hindustani classical elements, grand choruses, and emotionally charged storytelling,...
FEATURED
The dust has settled at The Auditorium in Gurugram, but the energy from RISE//DEL 2026 is still vibrating through the creative corridors of the...
Opinion
Mumbai, Bangalore and Gurgaon see a flood of international artists headlining events and festivals but that hasn’t been the case for the capital. Why?...
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Quite often, while reviewing music – I dunk on electropop, anything that is too reliant on synths and safely nestled in beat-topia. It is...
Opinion
There was a time in India when the best way to discover new music wasn’t Spotify playlists or Instagram reels; it was a college...
FEATURED
On the evening of 2nd August, The Piano Man in Delhi came alive with the 4th edition of Songweavers. From 8 cities across the...
Interview
Twin sister musicians Tara and Trisha, 17, from Bangalore, India, are quickly establishing themselves in the entertainment world. Trisha recently joined the cast of...
Callback
WHERE ARE THEY NOW? The first Velvet Underground album sold not more than ten thousand copies but each of those ten thousand listeners –...
Interview
I stumbled upon Tripti Arora, aka BadTrip, through her DHH mix on YouTube, and her sound immediately drew me in. A guitarist and songwriter...
FEATURED
In the world of hip-hop tours, you usually need a label’s blessing, a sponsor’s logo, and a stage big enough to impress the Instagram...
Opinion
Roymon is an interesting character who fluctuates between long rants and intense pessimisms as much as his music oscillates between sounding like The Strokes...