Review
The significance, or the lack of it, of a name has been debated for ages. Perhaps even more questionable is the role a moniker...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
Drummers as composers and band leaders are once again finding their (rightful) place at the forefront of modern jazz, aided and abetted by the...
Review
Ko-Lab is the debut 4-track EP by childhood friends and hip-hop duo, Irfana and Taslina. The ‘ko’ in Ko-Lab refers to Kodaikanal, the project...
Review
Working with other people in a team can often be a daunting process- particularly when you are representatives of a creative community. Our art...
Review
The Indian independent music landscape is flush with examples of exquisite bands that have sported the age-old genre of hard rock, introducing their own...
Review
We all yearn for ‘extraordinary’ in our lives. Extraordinary moments, objects, people and so on. But, sometimes we just need to look around us...
Review
Often, artists build a substantial reach and fanbase by traversing through a series of experiments and eventually settling on their distinct sound. Once they’ve...
Review
Vasudev arrived in the scene late last year with a massive and incomparable release. He dropped the Ghaziabad Mixtape (2020), a roughly thirty-minute mixtape...
Review
Upon first hearing ( and watching ) the thirteen minutes that comprise Mumbai based multi-instrumentalist and composer Jayesh Malani’s debut EP, I knew that...
Review
Cover Picture by Nidhi Lodaya QLA, 2019. A crowd of familiar faces – a mixture of NCR’s liberal arts college contingent and prominent faces...