From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Masculinity, Melodrama, Mimesis: Shashwat Bulusu’s Fitrat as a Cultural Study

Bhrigu Sahni’s EP ‘Awakening’ walks you through sound, Spirit, and Self

Riatsu and Joshua Trinidad explore a Transcontinental Soundscape in their latest album ‘Resurgence’

Electronic Fusion Gets a Refreshing Update with Anhad + Tanner’s album ‘Still But Moving’

Kolkata-Based Dindūn’s New EP Is A Synth-Folk Delight

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Why Music Events Should Be More Inclusive and Need Reforms

Offline Music Marketing Tools For Every Independent Musician

Persons.Elastic.Superior.Fantastic: Madboy Mink’s 2018 EP and On Travelling Through Space And Time

Release Spotlight #89 – Pop, R&B, Indie-Rock, & More!

The Anirudh Varma Collective’s fusion album ‘Perspectives’: A beacon of hope in times of turmoil

“We need more performance venues and promoters who are willing to take risks on booking newer artists” – In Conversation with Ashwin Adwani

Strees, Streets aur Sheets : Why We Need To Talk About The DHH Misogyny Problem