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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Mixed Signals Explores Fate and Digital Chaos in New Glitch Pop EP ‘Right Place Wrong Time’
“All skies lead to the sun”: Bimurta’s debut EP leaves a noteworthy mark in Indian post-metal
Pho redefines Indian R&B with the atmospheric and introspective EP ‘Terminal 2’
Karan Verma proves that he is the new voice Indian Rock needs with His Debut Album ‘Parichay’
OX7GEN’s ‘Body Mechanics’ crafts a kinetic masterclass in raw and uncategorized dance music
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
“I’m still working on my Picasso or Basquiat. The curtains will drop when the paint is dry” – In Conversation With FENGa
At Kappa CULTR, Versus Tests a New Kind of Festival Space
“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’
‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop