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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Life Until 23: Nishad G’s Cross-Cultural Debut Hits the Right Notes
“City of My Heart”: An EP That Travels Through Urban Loneliness and Inner Resilience
Hamza Rahimtula and The Rajasthan Folkstars Reimagine Rajasthani Tradition in “Origins”
Rono’s New Album Grapples with Loss and Healing in “Adhoore Se Khwaab”
Bloodywood’s NU DELHI is Heavy, Groovy, and Proudly Theirs
- Industry Insight
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
- Featured
Returning to Maati Baani’s 2016 Eponymous Album: A Mosaic of Cultures and Ragas
14 Moments Every True Fan Has Experienced at a Concert
JBL Music Academy 2025: 3 Reasons why you should register NOW
“The only thing that can change the electronic music scene is the entry of festivals” – In Conversation with Kratex
“Artists Need to Stop Seeing Labels as Sharks” — In Conversation with Music Marketer and A&R Anmol Dhand