Review
The beginning of Parvaaz’sfirst EP happens with Fidel D’Souza, the band’s bassist. The first song, Behosh, from their eponymous 2012 EP, features an opening...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
“Do Good. Be Kind” by fen: An Intimate and Universal Exploration of Love, Loss, and Hope Through Music
Spryk’s ‘Afterglow’: A New EP That Explores the Intersection of AI and Music
Hardbone’s “Sandesha”: A Story of Love, Loss, and Letting Go
Osho Jain’s “Uff”: A Gentle EP filled with Tenderness and Honesty
Arseniic’s Debut EP ‘The Omnisight Domain’: A Heavy Metal Exploration of Human Suffering and Hope
- Industry Insight
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
Why Music Events Should Be More Inclusive and Need Reforms
Offline Music Marketing Tools For Every Independent Musician
- Featured
B-Leaf’s ‘Dukh Dard Peeda’: A Personal Journey and a Musical Farewell
Are Music Festivals in Northeast Contributing to Tourism?
Release Spotlight #92 – Carnatic Fusion, electronica pop, & more!
In Search of Sonic Sovereignty: Why We Need More Regional Music Representation In Streaming Platforms
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