From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

Giddy Hoo’s Debut EP ‘Finally Found’ Is a Time Machine to the Past

BENDI’s ‘Heartspace’ Is Full of Electropop Promise

On ‘Hyperreal,’ KAVYA imagines a prosthetic reality

Saka’s ‘THLASIK KAWNG’ Is A Warm Joyous Album That Explores Big Feelings With Quiet Grace

Haiku’s ‘Surfacing’ Holds The Audience Softly, With Feeling

AI Music: How Big Is It, What Are the Laws, and Why It Matters to You

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Style and Static : Looking Back At AM.E.R’s ‘mera memoirs’

Indie’s Launchpad: How College Fests Shaped India’s Indie Scene and How They’re Changing

Songweavers 2025 Puts Original Indian Music in the Spotlight

“Recording is where we both really push ourselves out of our comfort zones” – In Conversation With Tara & Trisha

12 Indian Acts We Should Never Forget