Review
Discussing his new, 10-track acoustic-heavy album ‘Guzra Hua Kal,’ Abhishek Gaur states, “As the title suggests, Guzra Hua Kal is a reflection of my...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
‘Five Foot Three’, the debut album by Goa based singer-songwriter Anika Bharwani, is a message to herself where she confesses her desires as a...
Review
HARDBONE BOY, or Deepak Kumar — the rapper from Jaipur who boasts of being crowned the winner of Nexa Music Season 3 by A...
Review
We’re big fans of singers who can’t sing, and bands that made it cool to not really know how to play their instruments. The...
Review
Dhanji is a master. Dhanji is a genre. Dhanji doesn’t just jump on tracks. He makes tracks bops. It’s a matter of conviction. It’s...
Review
One fine day (or maybe not so fine, I honestly don’t remember), I came across a short clip of a beautiful instrumental on social...
Review
Kairvina’s debut EP reads a lot like a confession – fresh and unprocessed, like talking to someone who is describing anxiety. It unfolds like...
Review
Bhaveek Makan aka Skinny Local is a Calgary-based artist who makes music that feels like a half-remembered memory. Raised between South Africa and Canada...
Review
In the vast, ever expanding silt plain of Indian independent music, where vegetation is overrun by singular-word titles to albums that sound like banality...
Review
Meet Joshua Singh, a Mumbai-based polymath whose music is a playground of analog textures, acoustic warmth, field recordings, and instinctive artistry. From co-producing Spud...