Review
Bengaluru / Mumbai based DJ Aditya Malve, aka DJazz (pronounced ‘Jazz’, formerly DIVERSION AHEAD.), has an interesting discography to his many names — he...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Deepak Peace’s ‘Hamlet Zinda Hai’ Restores Unapologetic Dissent to Indian Indie
Broken Grooves, Subtle Glitches: Inside Reverse Osmosis’ Unable Unstable
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
How Hadi Turned Found Noise into Indian Alt Hip-Hop’s Boldest EP ‘RAWBONED’
Smiti Malik’s Debut Solo EP, Sad Songs for A Sunday, Reflects on The Banality of Melancholia
- Industry Insight
Your ears are the biggest liars: Psychoacoustics for musicians
The Colour Of Music aka Synesthesia: Inside the Minds That See Sound
20 sound engineering terms musicians need to know for their next soundcheck
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
- Featured
“A brotherhood of poetry, Carnatic soul, and progressive rock” – In Conversation With Motherjane on their latest album ‘Dobareh’
“You need to put in your 10,000 hours. Do it as if you don’t have anything else to do” – In Conversation With Akash Shravan
Release Spotlight #106 – Bossa Nova, Indie Pop, Electronica & More
All About Music Returns for Its 10th Edition, Thinking About the Next Decade, Not the Last One
“You lose money from indie, you make money from indie, you put money back into indie!” – In Conversation With Ankit
Review
For the last few years, I have scoured the depths of Indian independent music looking for traces of ideology. It should not be a...
Review
Reverse Osmosis returns with Unable Unstable, a 10-track LP released via Thunderstruck Records that embraces controlled chaos. Rooted in underground electronic music, the album...
Interview
“All of us are looking for second chances to be ourselves.” Suraj Mani tells us when asked about the story of the record and...
Review
The first thing that stood out to me when I sat down to talk to Hadi was his infectious energy. I could almost see...
Review
Varun Nimbolkar’s Bah Bah Black Sheep is a five-track EP that weaves Indian classical and electronica together. Based in Pune, Nimbolkar has been steadily...
Review
On his latest EP, Foenix a.k.a. Rohit Mukherjee polishes his already established disco sound fused with retro Indian aesthetics. He’s also made use of...
Review
Hip-Hop has been nothing short of a phenomenon in India and over the years the culture is permeating deeper into the ethos of our...
Review
The Indian rap-scape has always been interesting — spitting out admixtures of control and creativity that you do not usually envision, but which do...
Review
In an era of thumping trap drops and high-octane producer albums, YKSDOG has taken a refreshing detour with his debut EP Boys Don’t Cry....
Review
I listen to sudan’s new release — pocket friendly : volume i, at Bonobo, where he does a launch party and an elongated set...
Review
The Northeast never fails to impress with its incredible musical talent. While the region is well known for its rock scene, one genre it’s...
Review
Smoke & Muzzle have teamed up to deliver a refreshing six-song project titled Boy Drama. This Punjabi-Hindi EP, touted as “6 songs, 6 moods,...
Review
Bangalore-based progressive metal band Fallen Letters – featuring Vishal Naidu (vocals, guitars), Aditya Ramesh (lead guitar), Abhay Prakash (bass), and Mukund Narasimhan (drums) release...