Review
What role does cultural education play in the creative life of an individual? We often find that people who have lived in many places,...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
Aatma Redefines Contemporary Dancefloors Through the Immersive Narrative of his album ‘Ehsaas’
Chaar Diwaari Fuels a Grand Reinvention with His Multi Genre EP ‘Parvana’
Premik Jolly’s ‘Eternal’ Proves That Electronic Music Can Be Both Delicate and Devastating
Rhythm Shaw’s ‘Nothing to Lose’ Is Autobiographical, Ambitious, and Absolutely Worth Your Time
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
Review
Anyone familiar with the history of EDM, and by extension, dubstep would be aware of the neoliberal absorption of it, and its consequent perception...
Review
Aatma is the musical identity of Aarpit Gawri, a UK-based Indian electronic music producer known for creating emotionally driven, concept-led soundscapes. Blending modern electronic...
Review
Chaar Diwaari is having one of the most interesting runs in the indie scene. With this release he has ventured on an arc grand...
Review
Premik Jolly is a Bangalore-based guitarist and producer who builds worlds in electronic psychedelia and crushing metal using ambient soundscapes. Since picking up guitar...
Review
India is currently in the midst of a musical revolution. Indian independent music is breaking onto the world stage and at the centre of...
Review
Delhi has been home to a plethora of quality artists pushing out experimental projects in the past few years. Artists from the city that’s...
Review
While a whole lot of working professionals were attempting to cope with the pandemic last year, musicians saw this as an opportunity to hone...
News
In the eye of the storm that is the isolation, which was handed to us so generously by the pandemic, we often felt like...
Review
Aditeya Shukla’s latest EP “Just Wait, Sunshine” comes as a breath of fresh air. All the tracks in this EP are reminiscent of the...
Review
As Hip Hop has evolved through the years, it has diversified into multiple genres. From trap, to emo rap, this genre has branched out...
Review
When Arsh Sharma, the frontman and one-man army for the electro-pop/rock/electronica project FuzzCulture entered into 2020, he had no intention to spend the year...
FEATURED
Despite what appears to be a clinical environment inside a recording studio, astounding wonders can happen inside such a room with proper equipment &...
Interview
As a musician it is often difficult to box yourself in a genre or even an art form. Music exists everywhere – from the...