Review
I found Bloodywood through their 2020 documentary Raj Against the Machine, which followed their first big tour through Europe. I wasn’t even deep into...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
sxnchay & Moonjock Mixes Pop Rap & Acoustic Soul In Their Mixtape ‘Twentysomethings’
Dolorblind Challenges Indian Melodic Tastes by Integrating Gritty Textures into Electronic Pop through EP ‘No Signals’
Pina Colada Blues & Jai Matt Bring Early-2000s Pop to Malayalam with their Mixtape ‘J2K, Vol. 1’
Grave Defines the Modern Rave Through Minimalist and Menacing Sonic Textured EP ‘Cerebral Malfunction’
‘Babylon’s Camp’ by Kaali Duniya Reimagines Dubstep as a Tool for Social Reclamation
- Industry Insight
11 Ways How Independent Artists Are Growing Through Digital Music Marketing in 2026
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
- Featured
Release Spotlight #105 – Acoustic Folk, Indie Pop, Experimental Music & More!
Behind the stage: The Dark Reality of Volunteering at Indian Festivals
‘Bhalo Lage Na’: Revisiting Chandrabindoo’s Chaw Across Generations
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Review
There are plenty of songs about being young and reckless, and there are plenty of songs about growing up and looking back. sxnchay’s Twentysomethings...
Review
Electronic Music’s general appearance in the Indian Music landscape has always been a little one dimensional, forcing artists to conform to familiar structures and...
Review
If you’ve been paying attention to pop music in 2026, you’ve probably noticed how much of it sounds like 2002. Y2K nostalgia has moved...
Review
GRAVE a.k.a. Vipul Verma, who also happens to be the vocalist for Kraken has finally shared his new project under the aforementioned moniker. Though...
Review
Picture this: You are in an interview and someone is asking you “What do you love about music?” and borrowing Russell’s dialogue from Almost...
Review
Emerging from the vibrant musical landscape of Gangtok, Sikkim, Harrowing Dearth is a compelling punk-prog duo comprising Josiah Ranpal and Abhinav Sharma. Josiah brings...
Review
Bengaluru based musician Space Hydra has always made electronic music. Exploring themes of dystopia, socio-political undercurrents and cosmic wonder, he blends brooding synths, cinematic...
Review
SABR is the third studio album by Anirudh Varma Collective. The album features almost 50+ artists across India. It encapsulates themes of fate, determination,...
Review
There is something irretrievably special about producer-led music projects, especially when they rear their heads in the Indian independent soundscape. A metaphorical angel gains...
Review
The tone is foreboding and the album almost creeps up on you, but Moosa Saleem’s fifth album starts off strong. The album is titled...
Review
Have you ever pondered about what makes your identity, during a moment of self-reflection or while thinking of the world? Assuming that many of...
Review
‘Dusty Kid is the Pink Floyd of Techno.’ A Ben Bohmer loving friend remarked to me while we were enroute back to our houses...
Review
Yashraj is back — this time with a 3-track EP, a near 8 minute project produced by NEVERSOBER and Talal Qureshi. Some of the...