Review
“You must have heard of Peter Cat Recording Company. The sort of music Sawhney makes under PCRC and the sort he makes under Lifafa...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
With ’27 CLUB’, RANJ’s Debut Mixtape Reframes Indian R&B Through a Woman’s Lens
‘Garhkumaon’ by Tarun Redefines The Sound And Soul Of Modern Indian Regional Rap
Ahuja and Mittal Explore Nauseating Spiritualism Through Hazy Synths In ‘Feeling So Good’
Shourya Malhotra crafts Indie folk tunes to sail through the day in Album ‘Everybody Knows, Everybody Understands’
Sacred Disobedience and Sonic Dissonance : Inside keichyna’s RHAPSODY OF THE EXILED
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
“You’d be blown away listening to Jakub in a completely new avatar” – In Conversation With Antariksh and Jakub on single ‘Naaqis’
RISE//DEL 2026: 3 Days That Brought India’s Creative Economy Into Focus
Revisiting ‘The Black Mamba I’: Suman Sridhar and the Art of Subversion
13 Hidden Indian Collaborators Behind ‘The Mountain’ That Deserve Your Attention
Are Payment Delays Silencing the Voices of Independent Music?
Review
There’s an old superstition in popular music that haunts the age of 27, an age mythologized through tragedy, headlines, and the seductive romance of...
Review
Regional hip-hop projects in India often carry predictable expectations: to celebrate the language, showcase the pride, translate local identity into something nationally consumable &...
Review
The first time I listen to Feeling So Good, a slow-engulfing, metallic, grueling form of dread grips me — tethering me to a kind...
Review
On his newest album, screamer turned media lawyer turned singer songwriter, Shourya Malhotra creates a body of work that can soundtrack a busy sunny...
Review
In a rapidly digitising world, artistry born of the internet is inevitably met withquestions of authenticity. For Delhi-based producer trick/switch, the lines betweenhonest self-expression...
Review
It is always fun to encounter the chapter of an artist’s career where they decide to take that transformative leap that pushes them into...
Review
“You must have heard of Peter Cat Recording Company. The sort of music Sawhney makes under PCRC and the sort he makes under Lifafa...
Review
I found Tarun Balani accidentally in a pile of LPs at Pagal Records, HKV. The Shape of Things to Come lay awaiting its beholder...
Review
I listen to Ayush Sayalkar’s “till i see you” in the rain. In the midst of being plagued by the making of a documentary...
Review
Deeply rooted in the Tamil language, Nishad G is steadily carving out a space in the independent music scene. His sonic identity fuses orchestral...
Review
If I ask you what accompanies you during your travels, the instant reply that I will get from most will be that it’s good...
Review
Hamza Rahimtula is back — this time, in collaboration with Rajasthan Folkstars, with an album spanning 10 tracks [excluding the extended versions, which if...
Review
Rono, previously known as Awkward Bong, is steadily carving his niche in Mumbai’s indie music landscape. His sleeper hit “Main Aur Tum” subtly caught...