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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
OX7GEN’s ‘Body Mechanics’ crafts a kinetic masterclass in raw and uncategorized dance music
Reanimating Mumbai’s Disco Ghost in ‘The Mumbai Exchange’ in 90s Disco and Hindustani Textures
“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’
Rebel 7 & Lil Kabeer’s newest Rap Album ‘NANO’ is zippy, goofy and nasty
Alok Ranjan Srivastava’s ‘Lagbhag Tumhara’ Chooses The Weight Of Truth Over Decorated Expression
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
At Kappa CULTR, Versus Tests a New Kind of Festival Space
“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’
‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop
Beyond the Stream: The Rise of Boutique Records and India’s New Vinyl Manufacturing Era