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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Alva Kuuto’s Self-Titled Album Is a Revival of a 2500-Year-Old Language
Anyasa’s ‘Flectere’: An Immersive Journey Through Melodic Techno and Indian Sounds
Yashraj’s ‘3P’ EP: Raw Energy, Online Wit, and a Clear Vision
Moksh by Rang: A Descent into Obsession, Guilt, and Grief
Sangram Malik’s Rapperoid 15SM: Of Unfiltered Narratives and Sonic Exploration
- Industry Insight
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
- Featured
“One of the best things about being an independent artist is the creative freedom” – In Conversation With Kushagra
Vote For The ‘Best Artist Of The Year’ At #IMDAwards2025
From Fan Frenzy to Fury: The Recurring Problem of Late Artists and Industry Accountability
6 Guitarists To Catch At ‘Let There Be Guitar’ In Bengaluru
“We took a beautiful qawwali sample from an M. Abdul Gani performance and flipped it into an Afro-house groove” – In Conversation With Skopos and Firaaq