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I have always had an odd fascination with the title of a particular Kazuo Ishiguro book — “The Remains of The Day”. For reasons...
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Amyt Datta and His Electric Power Quartet Redefine Jazz And Rock with Debut Album ‘Electric
Masculinity, Melodrama, Mimesis: Shashwat Bulusu’s Fitrat as a Cultural Study
Bhrigu Sahni’s EP ‘Awakening’ walks you through sound, Spirit, and Self
Riatsu and Joshua Trinidad explore a Transcontinental Soundscape in their latest album ‘Resurgence’
Electronic Fusion Gets a Refreshing Update with Anhad + Tanner’s album ‘Still But Moving’
- Industry Insight
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
Why Music Events Should Be More Inclusive and Need Reforms
Offline Music Marketing Tools For Every Independent Musician
- Featured
Looking for Lifafa : A 2013 Album and Retracing Routes To Where It All Began
Ten Albums To Revisit from the pre-streaming era
Persons.Elastic.Superior.Fantastic: Madboy Mink’s 2018 EP and On Travelling Through Space And Time
Release Spotlight #89 – Pop, R&B, Indie-Rock, & More!
The Anirudh Varma Collective’s fusion album ‘Perspectives’: A beacon of hope in times of turmoil