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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
A Deep Dive into Disarray: Tienas’ latest album ‘O (Deluxe)’
‘Strongest Boy Alive’ Marks A Bright Dawn for Savera’s Solo Career
‘Chehre’ by Karun: The masks we wear to survive and what happens when we remove them
“Sunflowers & Dreams”: Max Kate’s EP Is a Raw, Reflective Glimpse into His Life
‘Priceless’ by Dino James: An Album That Hits Where It Hurts (In a Good Way)
- Industry Insight
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
Behind the Playlist: Decoding Our Fascination With Spotify Wrapped
- Featured
Producer-Led Albums: Why It’s Time We Let Them Take Center Stage
Kashmir is a haunt that never pauses: The legacy of Gaekhir Republik’s ‘Madnyan Shaam’
Flex-perience Over Experience- Is That the New Normal?
The Evolution of Gig Fashion in India: From the 1980s to Today
“You have to be the citizen of the world you believe” – In Conversation With Dohnraj