Review
Alok Ranjan Srivastava (Hashtag Jazbaat) is a singer-songwriter and lyricist carving out a unique space in both the independent scene and the commercial landscape....
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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Alok Ranjan Srivastava’s ‘Lagbhag Tumhara’ Chooses The Weight Of Truth Over Decorated Expression
Fox In The Garden Finds Their Voice In The Vulnerable, High-Octane Indie Rock Album ‘Doom In Bloom’
‘Eyes Can Hear, Ears Can See’ by Dirty Class is a Lesson in Remembrance for what Rock Music is
Siyaahi’s ‘SULTANATE’ redefines DHH with Authentic and Diverse Collaborations
Darcy Melds Rage and Melody in His Final Mixtape ‘Abhi Nahi Toh Kabhi’
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’
‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop
Beyond the Stream: The Rise of Boutique Records and India’s New Vinyl Manufacturing Era
What K Pop and Latin Music Got Right — and what Indian Indie Needs to Learn
Cultural Imperialism or Collaboration? Western Influences on the Indian Indie Scene