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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Melodic House Artist Kaigan Translates Personal Determination Into Euphoric Electronic Soundscapes through ‘Tired Of Almost’
Mixed Signals Explores Fate and Digital Chaos in New Glitch Pop EP ‘Right Place Wrong Time’
“All skies lead to the sun”: Bimurta’s debut EP leaves a noteworthy mark in Indian post-metal
Pho redefines Indian R&B with the atmospheric and introspective EP ‘Terminal 2’
Karan Verma proves that he is the new voice Indian Rock needs with His Debut Album ‘Parichay’
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
“I wanted to really rinse the meaning of every word I was saying.” — In Conversation With Karshni
“I’m still working on my Picasso or Basquiat. The curtains will drop when the paint is dry” – In Conversation With FENGa
At Kappa CULTR, Versus Tests a New Kind of Festival Space
“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’
Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’