From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

OX7GEN’s ‘Body Mechanics’ crafts a kinetic masterclass in raw and uncategorized dance music

Reanimating Mumbai’s Disco Ghost in ‘The Mumbai Exchange’ in 90s Disco and Hindustani Textures

“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’

Rebel 7 & Lil Kabeer’s newest Rap Album ‘NANO’ is zippy, goofy and nasty

Alok Ranjan Srivastava’s ‘Lagbhag Tumhara’ Chooses The Weight Of Truth Over Decorated Expression

AI Music: How Big Is It, What Are the Laws, and Why It Matters to You

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

“There will be people who want to give more time to understanding our music, and we will always cater to them” – In Conversation With Parvaaz on Album ‘Na Gul Na Gulistan’

Mary Ann Alexander and KP Illest Unite for a Cross-Cultural Collaboration ‘Way Back Home’

‘Only Uparwala Can Judge Me’ brings Dhanji, Reble, and Clifr together at a confident turn in Indian hip hop

Beyond the Stream: The Rise of Boutique Records and India’s New Vinyl Manufacturing Era

What K Pop and Latin Music Got Right — and what Indian Indie Needs to Learn