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The Indian Music Diaries
- News
From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast
Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists
He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff
Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene
Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment
- Reviews
Angad Berar and Jamblu’s ‘Sundae’ Is a Sonic Walk on a Sunny Day
Kairvina’s Debut EP ‘Eternal’, A Solid Foundation And A Tribute To Her Favorites
‘begin again’ by Skinny Local: A Desi-Dreamy Beat Tape for the Restless Mind
Arvasu’s ‘The Traffic Horn Orchestra’: Finding Harmony in the Urban Cacophony
‘Bheegein’ by Joshua Singh: A Tender, Disco-Tinted Reverie
- Industry Insight
AI Music: How Big Is It, What Are the Laws, and Why It Matters to You
Setting Up Your Music Business: Registration Essentials
Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event
Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry
The DIY Musician’s Toolkit: Building a Home Studio Under 10k
- Featured
Smirnoff Lemon Pop Non-Alcoholic’s ‘We Do We’ Is a Beat-Driven Reminder That Gen Z Doesn’t Go Solo
Release Roundup #100 – Folk Jazz, Acid House, Metalcore & More!
Why Vinyl Collectors in India Are Finding Community and Curating Culture
“When We Sat Down To Create Together, We Were Very Aligned In Thoughts & Intentions” – In Conversation With Shrey Jadav & Zeba Tommy
“I was just a ‘kid’ inspired by Kid A” – In Conversation With Surya Pratap