From Indie Folk to Soulful Indie: Raghav Meattle, Swarathma & Suzonn Cook Up a Touring Feast

Music or Monolith? Why Spotify’s Audiobook Move Might Prove To Be A Disaster For Artists

He Said, They Said: ‘Enjoy Enjaami’ Creators and Maajja Label in Payment Standoff

Facepalm at SPXCEJXM: The Ongoing Festival Fiasco and What it Means for the Indian Music Scene

Puerto Rican Artist Melissa Otero Sends Legal Notice to Mood Indigo Team Accusing Them of Mistreatment

From Soft Confessions to Sharp Cries from Manipur: The Vocal Journey of Meewakching’s BILDUNGSROMAN

Freakyy’s ‘Kabaddi’: A Deep Dive into Identity and the Human Grind

A Deep Dive into Disarray: Tienas’ latest album ‘O (Deluxe)’

‘Strongest Boy Alive’ Marks A Bright Dawn for Savera’s Solo Career

‘Chehre’ by Karun: The masks we wear to survive and what happens when we remove them

Setting Up Your Music Business: Registration Essentials

Collaborate, Innovate, Elevate: Inside the Exclusive Madverse for Managers Event

Shedding Light on the Evolving Landscape: Reclaiming Black Box Royalties in the Indian Music Industry

The DIY Musician’s Toolkit: Building a Home Studio Under 10k

Behind the Playlist: Decoding Our Fascination With Spotify Wrapped

Release Roundup #99 – Indie Pop, R&B, Alternative & More!

Turn Up the Streets: 3 Days of World Music Day Celebration with Buskr Chowk

Producer-Led Albums: Why It’s Time We Let Them Take Center Stage

Kashmir is a haunt that never pauses: The legacy of Gaekhir Republik’s ‘Madnyan Shaam’

Flex-perience Over Experience- Is That the New Normal?